[536].Ibid., p.292.
[537].Viktor Shklovsky, ‘Art as device, 1917’, repr. in Alexandra Berlina, ed. and trans., Viktor Shklovsky: A Reader (London, 2017), pp.73——96.
[538].Kazimir Malevich, ‘From Cubism and Futurism to Suprematism: the new painterly realism’, in John E. Bowlt, Russian Art of the Avant-Garde: Theory and Criticism, 1902ā1934 (New York, 1976).
[539].John Dos Passos, ‘Paint the Revolution’, New Masses, March 1927, p.15.
[540].Hayden Herrera, Frida.A Biography of Frida Kahlo (New York, 1983), p.62